My Brain on Pixel Space and Boring Rules

Sometimes my brain independently interviews itself on certain topics. This time, a background process researches what I think about photography as an artistic medium. I managed to grab it by the tail.

Will AI Kill Photography?

Do you think AI will, at some point, become better at taking pictures than humans, and photography will be dead?

I am not afraid of what will happen. Stronger, there will be a point in time when AI will be better at creating a particular kind of picture. But that is not as disastrous as photographers think it is.

  1. The current capabilities of AI are vastly overrated. AI is still an aggregation of what is out there. There is no invention, no novelty. Will there ever be surprising novelty? Maybe. But would you be interested in it? I doubt it. For advertising, as illustration, but as art, that surprises and moves. I doubt it.

But suppose AI becomes better than us at taking pictures:

  1. Keep making pictures anyway. People are still playing chess. It’s the process, dude. I guess each of us needs to consider why we are taking pictures in the first place. Do you really want to leave such an important activity to an AI?
  2. It is our challenge to find something that AI can not do better than we can. It is our challenge to find something no one can do better than you, in general, as makers. AI capabilities would be a fantastic challenge to human creativity. We should embrace that challenge rather than be afraid of it.

Will things change? Yes. But we should not react with the same Luddite arguments as photographers did when digital photography emerged.

david hockney - collage of cropped photos

On Cropping and Creative Freedom

Something different: Do you crop your pictures?

Uninteresting question, and you will see why. Yes. I crop whenever I want to remove things from the picture I don’t like. I am not religious about cropping. Or applying whatever modification to the picture, in fact. If someone can make a lovely image from a photo by cropping everything except a single pixel, I am totally ok with that. Or when someone glues 273 images together to create a great picture, it’s totally fine.

Really, I am fearful of orthodoxies. You must… use 28mm for real street, apply golden rules, only photography at dawn/sunset/hard light/…, shoot from the hip/viewfinder, use layers/deadpan/… in your pictures, never crop, never pose, … Screw all that. Wolfgang Tilmans blew up low-res images to great pictures. David Hockney cut and glued images to create fabulous artworks. Even Elliott Erwitt cropped the hell out of his photos.

I don’t want to limit my creativity by any such orthodoxy.

The Finite Space of All Images

My brain is researching the creative border. On that … Lately, I was also thinking about the limited pixel space we operate in. Say our images are 1000 by 1000 pixels, that is 1 million pixels, but the size does not really matter. It could be a million by a million, that is not the point. Each pixel in the one-million-pixel space can have 256 different color values (or 16000; again, the exact number does not matter). Then the total number of possible pictures is 256^1000000 (256 to the power of 1000000). That is a lot, but it is a finite number of pictures. Think about that.

These pictures include everything we can photograph around us, at any moment in time. Everything we see today, tomorrow, any picture we take fits in that space. And anything that happened in the past. A portrait of Napoleon, the building of the pyramids, a Neanderthal, a dinosaur, the Earth being hit by a giant meteor, everything.

I am only orthodox about trying not to be orthodox.

Foto’s printen en prints fotograferen

Ik ben bezig met het afdrukken van deze serie zwart-witfoto’s en eindelijk gaat nu goed. De afdrukken op Canson Infinity Baryta Photographique II (bedenk eens zo’n naam voor een papiersoort) zien er erg mooi uit.

Nu wil ik de resultaten van dit werk delen, dus moet ik een goede foto van de afdruk maken. Dat is niet zo eenvoudig als het lijkt. Ondanks de glans van het papier reflecteert de afdruk licht, waardoor er donkere vlekken op de foto ontstaan. Niet zo mooi.

Of ik ben te kieskeurig.

Foto van print van foto van Oostknollendam
Oostknollendam

Color photographer turned Black-and-White (for this project)

I am massively enjoying making these prints of my black-and-white Polder project. I also like printing in the darkroom but never got to do it.

Before the black-and-white project, I have always photographed in color for no other reason than to limit my options. For more than ten years, I shot with little direction. Consequently, my work is all over the place. I have always liked this, and still do. I do not like to put any boundaries on my work a priori, but at the same time, I wanted to create a more consistent piece of work.

Looking for a more intentional, focused project, I began to analyze the pictures from the past decade and stumbled on my polder landscape pictures. I like a couple of them, but I found for a larger work, the dominating green color became problematic. So, I tried to convert a couple to black-and-white, and I liked the result. So I crawled through my archive and surfaced about 200 acceptable images, which I further edited down to some 40 pictures.

When converting to black and white, you find that some pictures do not work in black and white. B&W needs more rest. Where color may divide a picture into spaces, after converting it into black and white, the result may be a headache of grey tones and forms.

Color pictures, I think, have a closer relation to reality, opening a broader palette to distort that reality and create an interesting image. On the other hand, Black and white pictures can have a more poetic, sometimes dreamy effect. Black and white pictures, I think, need more space and benefit more from careful design-like composition (though I am not a fan of the word composition in photography). That is probably also why snapshot-type pictures work best in color.

Anyway, I searched for some nice papers (a rabbit hole in itself), and a friend advised me to use Canson Baryta Photographique II or RAG Photograpique Matte. Never mind the name. The first is a fine art luster-type paper, and the second is a high-grade matte paper. I started with the Baryta and liked it so much I have not even tried the RAG/Matte. By the way, I am printing on an Epson p600, a good entry-level pro photo printer with good ink.

Here are some results. Needless to say, taking (iPhone) pictures of photo prints does not serve them as it should.

Photo movies

I (re)started making picture movies from my photo projects. I publish them on my YouTube channel. It’s a kind of slide show, but I’m trying to make a bit more of it and augment pictures with some video I made during the photo shoots.

I started this before with low success but now decided to take this more systematically. Nobody seems to exhibit his photography products like this, at least not so systematically. The first new set I created during the Scotland trip. Created a separate playlist for this trip.

This weekend, I created a video using pictures I took during a business trip to New York City and upstate New York.

And I have a large backlog of similar trips. Having fun with this.

Subscribe to the channel if you like it with this button here.

Glasgow Central, in pictures

I almost forgot to look up to get a good look at how this light could fall so beautifully into the hall of Glasgow Central station.

Vacation Photos; and the fun of always taking pictures

Toeristen fotograferen

Kronkeling has the most fun blog about photography.

Kronkeling has a hard time photographing on vacation. I don’t share this struggle. I always takes pictures. Sometimes it’s for the image, the beautiful picture, sometimes for the subject, so just the snapshot. I decide the goals afterward, but then I am different from Kronkeling.

Tips for your holiday pictures from Kronkeling are here.

Sometimes, there are miniseries, like when our car broke down, and we had to wait until a mechanic came to help us. I photographed all the trash in the parking lot.

Or, during vacations, photographing tourists.

Or hotel rooms.

Hotelkamer
Hotelkamer
Hotelkamer
Hotelkamer
Hotelkamer

Or art on the wall.

Or numbers.

47
104

Nina Katchadourian is a super creative source of inspiration.

Orange, green, yellow and blue

Orange, green, yellow, blue
Orange, green, yellow, blue
Orange, green, yellow, blue
Orange, green, yellow, blue

Elgol, Broadford, and icy water at Torrin pools

overview over Elgol
Elgol

Via Broadford – for some shopping – to Elgol.

There, the locals walk with mosquito nets covering their faces. We soon notice the reason: very small mosquitoes—fortunately not much trouble. We make a small journey along the coast over not very well-trodden paths.

To Torrin pools. Here, a river flows from the steep slope into Loch Slapin. The walk along the cascades of fast-flowing water is very pleasant. Some try to bathe in the small pools below the falls. The icy water almost hurts from shrinkage.

Back to Broadford. Walked to the pier. There is not much more to see than breathtaking views and fishermen—enough to do it for.

In the bar, Gabbro, we have a beer. Make plans for tomorrow.

Schotse Hooglander
Somewhere between Elgol and Broadford

Wellington for Beginners picture-collage-video

In the series New Zealand for Beginners, I made a new picture-collage video about our stay in Wellington.

Gig report foto/videos Urgent Kill, Dying for it, Tomar Control @ Manifesto

Yesterday made two videos of the images I took at gigs of punk bands, in July and September. I hope the videos make you feel the energy released at these concerts.

Urgent Kill, Dying for it, Tomar Control @ Manifesto, Hoorn: