About Polaroids by Douglas Coupland

In a Douglas Coupland burp, I reread Shampoo Planet and now Polaroids.

What strikes me now: Coupland’s style and subject matter could never be European.

The description of “stuff”

Bret Easton Ellis exaggerated it in American Psycho with the overly exuberant description of the brands of Bateman’s stuff. But even in Coupland you notice that strange for us Europeans yet somewhat exotic way of describing consumer goods.

Polaroids, Douglas Coupland

His world is so unimaginably young to us

A legacy of a few hundred years is already immeasurably deep. After the freedom struggle, suddenly the most important event in the history of the United States (yes I know Coupland is a Canadian) is 9/11. And 9/11 is described as an attack on the United States. European history is teeming with 9/11 events. In the US, a president is assassinated every now and then, but Delaware, Arizona or even Texas did not secede from the US. In a documentary on illegals, I hear Americans talk about “our country” as something based on centuries of history. But most Americans have immigrated to the country in the last hundred years.

Rehab

Coupland (paraphrasing – I lost the exact quote):

When there is an electricity outage, we sing songs, but as soon as electricity is back, we disappear in a haze again.

So it is during this vacation. For example, there is no television. You find that you read a book more easily and chat more, and feel much freer than when that blue eye demands its attention. It’s like quitting drinking or smoking: a TV addiction is in your daily pattern, and it takes a paradigm shift to get rid of it.

About legacy: a little further on, I read that Palo Alto is 100 years old. I rest my case.

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.