Catching the Big Fish — David Lynch on creativity, meditation and ideas

David Lynch (1946–2025) left behind a small but remarkable book about creativity and meditation.

Catching the Big Fish, David Lynch book cover

Catching the Big Fish is such a great book. It consists of small stories about ideas, meditation, creativity, film making and other things in David Lynch’s film making life. The tone is wonderfully light. Condensed advice for the living. It is a massive source for inspirational quotes, and I just thumbed through to get to these.

Sometimes restrictions get the mind going. If you’ve tons and tons of money, you may relax and figure you can throw money at any problem that comes along. You don’t have to think so hard. But if you have limitations, sometimes, you com up with very creative, inexpensive ideas.

Little fish swim on the surface, but the big ones swim down below. If you can expand the container you’re fishing in – your consciousness – you can catch bigger fish.

The Ear in the grass from David Lynch' film Blue Velvet

It would be great if the entire film came all at once. But it comes, for me, in fragments. The first fragment is like the Rosetta stone. It’s the piece of the puzzle that indicates the rest. It’s the hopeful puzzle piece.

In Blue Velvet, it was red lips, green lawn, and the song – Bobby Vinton’s version of “Blue Velvet”. The next thing was an ear lying in a field. And that was it.

Read more on creativity, for example Nathalie Dixon, or Werner Herzog or other books.

I can’t finish On Photography by Susan Sontag

I tried reading On Photography by Susan Sontag. The book was recommended to me as a must-read for photographers. I will not doubt it is a classic analysis photography, but my mind seems incapable of absorbing the sentences.

On Photography

The book analyses why people make photographs, what it means, how it relates to other art forms, how people pursue photography. And more, like an article about Diane Arbus’ work.

I find the theoretical analysis quite problematic, being a photographer myself. While taking pictures I do not want to (nor can I) philosophize about the picture-taking itself. I don’t want to know. I want to think as little as possible about the process, but focus on the act, on the picture. Of course I have a frame of reference. But it’s somewhere back in my head, in the unconscious probably.

Susan Sontag portrait
Susan Sontag

I put the book away about halfway through. I feel defeated.

diane arbus
Diane Arbus
Diane Arbus – Female Impersonators Backstage, 1962