Fahrenheit 451 and The Hours

Two books I read recently: The Hours, which I read this week, and Fahrenheit 451 today. (That makes Fahrenheit 451 the first book of 2022 – not a bad start.)

The impossible: comparing these two totally different books. I’m going to try, very briefly. I will tell you in advance that I found Fahrenheit 451 to be a lot more my thing.

The story in The Hours is told from a three-person perspective. The story contains a lot of monologue interior and relatively little action. I would call Cunningham’s style baroque. The main characters in The Hours suffer under the great lives of others, which makes them feel limited. They want to break free from that, which is this book’s theme. It reminds me of Hanya Yanagihara’s overrated A Little Life, but in The Hours, unlike the pathetic protagonists in A Little Life, the protagonists do manage to move themselves to positive action.

The story in Fahrenheit 451 is told from the perspective of one person. The story is built primarily around action, and the background is mainly told in dialogues between the protagonist and the extras. Bradbury’s style is tight and firm. The main character lives in a dystopian country in the future, where people’s abilities are suppressed, and all books must be burned. The protagonist “awakens” from his role in this dictatorship and takes action against it, which reminds me of 1984.

De week van 16 november

Uitgelezen

Neil Gaiman – Fragile Things. Verhalen die doen denken aan Edgar Allen Poe. Donker, zombie-achtige figures, bovennatuurlijke verschijnselen. Eindigt met een verhaal over Shadow, een variatie op American Gods.

American Geography, een fotoboek van Matt Black. Een van de beste fotoboeken die ik dit jaar heb gezien.

Gezien

All Creatures Great and Small. Remake of BBC First over dierenarts James Herriot. Aanvankelijk was ik wat sceptisch over de remake, maar het is goed gedaan. Eerst serie gebinged. Tweede serie loopt nu.

Geluisterd

The War of Art, luisterboek. Klassieker over creativiteit en The Resistance van Steven Pressfield.

Lezend

Zen in the Art of Writing van Ray Bradbury. Over schrijven. Kende Ray Bradbury nog nauwelijks.

Collage van niek de greef

Zen in the Art of Writing

Zen in the Art of Wrting - Ray Bradbury

Ray Bradbury’s Zen in the Art of Writing is not about Zen at all. The Zen part is a marketing trick, he admits in the book.

The book is about writing though. In a cast-iron writing style.

  • Find a character that wants something, or not.
  • Start without thinking, explode!
  • Ideas live everywhere.
  • Be extreme. Love and hate, Zest and Gusto.
  • Write fast, that guarantees honesty.
  • How to start something new? Be doing and stumbling into it.
  • Ideas come from our subconscious. Feed it with poetry, essays, novels and short stories, movies.
  • Write passionate, with a loud voice.
  • Plot is something for after the fact.
  • Your writing grows with experience and labor.
  • Take a series of words in your head and write a story.
  • Children have become our teachers. for the genre of Science Fiction in his time, but similarly for Young Adult books in these days.
  • Don’t get too serious. Just Run!
  • Don’t think. Self-conscious is the enemy of art.
  • Get a thing done. Then cut it appropriately.
  • The ideas follow you. When they are off-guard, grab them.
  • WORK. RELAX. DON’T THINK. RELAX MORE.
  • Quantity will make for quality.
  • Don’t expect money or fame.

At the level of Stephen King’s On Writing or Steven Pressfield‘s War of Art.