Jenny Odell – How To Do Nothing

How To Do Nothing

Jenny Odell wrote a book about how to do nothing, but it is actually about how to do meaningful things.

Odell wants to help us move away from the attention economy to a physical, public reality, by “doing nothing”. She shows us that doing nothing does not mean turning away from the world and live like a hermit, discarding all contact with the world. Alternatively, through turning away from the breaking-news attention seeking media, and instead focusing our attention to details in the real, physical world, we can discover a more satisfying and meaningful way of living.

What we should aim our attention at to be meaningful to the world, is our local environment. I do not know if Odell has invented the term, but she is a great proponent of Bio-regionalism: an attention, interest and familiarity with our local ecology. Which gives us valuable insights into the complex relations with other things.She herself found bird-watching an interest that lifted her attention for her local environment. It makes her drop out of the linear time, and when coming back to everyday life, see things differently.

Odell links in John Cleese – and I love that reference – in a Youtube performance on Creativity. But What I like most about the John Cleese video is this:”Pondering leads to creativity and insurrection.”

She describes uselessness as a strategy. I love this idea. The example Jenny Odell given is an extremely old ugly tree with lots of knots and bolts. How did it get this old? By being so ugly and gnarly. The tree is too difficult for lumberjacks to cut down. All trees around her have been cut down over the past centuries, but she has survived because she is useless. Another similar strategy is being too weird to be of any use. Remain weird, hard to categorize. Exercize “resistance in place” – be hard to appropriate by any capitalist value.

In social media, everything needs to be monetized. Time becomes an economic resource we can not spend on doing “nothing”. However, a sensible way to do nothing has benefits to offer: move away from your FOMO to NOMO – Necessity Of Missing Out, and a sharper ability to listen – ” Deep Listening”.

We should protect out spaces and time for non-instrumental, useless – in the sense of non-commercial – activity and thought, maintenance and care.

Odell tells us to value maintenance over productivity. Instead of productivity, value:

  • maintenance
  • non-verbal communication
  • experience

Of course this reminds of Cal Newport’s Digital Minimalism, but interestingly enough she does not reference him anywhere. Which reminds me of the highly related article Newport recently wrote for the New Yorker on why people are quitting their jobs after the pandemic.

She quotes Epicurus: source of a troubled mind: unnecessary mental bagage due to runaway Desires, Ambitions, Fear and Ego.
An answer to the attention economy could be totally turn away from society, but Odell proposes another approach: “standing apart”, in which we contemplate, and participate, look at the world with a futurist view, instead of a view dominated by perceived urgency. We should not retreat, but practice refusal, boycott and sabotage.

If we apply Cicero’s Will, Perseverance Drive and Discipline, we can deny provocations outside the sphere of the desire attention. And improve acuity of our attention for other things.

Jenny Odell quotes David Hockney’s critique on photography as being the “cyclops view of the world, but for a split second” (paraphrasing). Instead, reality is a collage, a personal construction of images.

Reality or perception changes when you look at it rather than through it. Like Jeff Wall’s approach to photography. He reconstructs reality instead of taking a picture of it when it appear to him. In such a way he avoids his viewers to look through the picture at the subject rather than at it.

Looking attentively is like jumping into Alice’s rabbit hole. It is fun to do and revives our curiosity. Also it allows us to transcend the self and gain new understanding of things. It helps you not to marinate in conventional wisdom but to be open to change and deviating ideas.

Where (social) media throw context-poor factoids at you, researching a topic more deeply gives you a full understanding of the context of things. That is such a danger of the urgency-driven media: the lack of context they give.

It is not about doing nothing. It’s about doing the right thing, with attention, focus, discipline.

Hockney’s Insights on Painting and Photography

I read this book about David Hockney, A Chronology, a thickly illustrated book by Taschen. It is currently on sale in many bookstores.

David Hockney, A Chronology

Hockney could paint wonderfully at a young age. I sometimes mess around myself, but when I see his early paintings, I quickly throw my crap in a corner.

What I think is so great about Hockney is that he kept experimenting. He played with a photocopier and with photography, taught himself to paint with watercolors later in life, and got to work early on with a computer, iPhone, and later iPad. He made films and great set pieces and drew with pencil and charcoal.

Despite pioneering work with his photo collages, photography ultimately did not bring him the satisfaction he sought.

“The trouble with photography: it’s not real enough, not true to lived experience.”

In his experiments with photography, he bends the reality of the photograph into the reality of what has been observed.

david hockney stagedesign

Painting is his thing. According to Hockney, three things are essential to this: the eye, the heart, and the hand. He is a master in all three.

BOOOOOOM’s favorite curators

The best way to enjoy the Internet are curators. These help avoid ad-driven search engines and social media companies, and provide a diverging instead of a converging view at what’s out there.

Boooooom is such a curator, with a focus on art, and has published its 24 favorite Instagram curators. Curators curated – curators unite!.

John Heartfield in De Fundatie

John Heartfield - helm - collage

Gisteren bezochten we museum De Fundatie in Zwolle. Ik kom niet vaak in Zwolle. De stad verrast. In mijn herinnering is Zwolle een saaie plattelandsstad, in werkelijkheid zag ik een behoorlijk hippe, modern stad. De mensen zijn van deze tijd, de winkels zijn fleurig en modern en er is een boekwinkel waar je U tegen zegt, en De Fundatie.

Vergelijk dat met Alkmaar, de stad waar ik dicht bij woon, en die van vergelijkbare omvang is. Dan is Alkmaar een stad met een armoedige saaie uitstraling, de winkelstraten zijn oubollig en saai, er is geen fatsoenlijke boekwinkel meer sinds Feijn (toch al niet te vergelijken met Waanders in de Broeren in Zwolle) zijn deuren heeft gesloten, het museum van Alkmaar, het Stedelijk Museum Alkmaar, is onvergelijkbaar met De Fundatie, afgezien van het waterige mengsel van kunst en geschiedenis dat het Stedelijk biedt.

In de Fundatie zien we de expositie over John Heartfield – PHOTOGRAPHY PLUS DYNAMITE. John Heartfield is een Duitse dadaist (geboren als Helmut Hertzfelde) en communistische activist die fotocollages maakte, uitvinder was van het concept fotomontage. Hij was een vroeg en scherp criticus van het opkomend fascisme van Hitler in Duitsland.

Het werk van Heartfield is creatief, grimmig, meedogenloos verrassend. Hij maakte vele affiches, illustraties en boekomslagen.

John Heartfield - Hitler

Het werk van Heartfield doet nog steeds modern aan. Het mist een beetje humor, maar dat kan zijn omdat ik de dadaïstische stijl associeer met Duchamp en Monty Python.

De aanpalende expositie van moderne Nederlandse moderne Nederlandse activistische kunstenaars in de serie Whose is the World? is indrukwekkend. Het mist de consistentie van Heartfield, en eigenlijk is dat ook best fris.

Ik vind een fantastische site over Heartfield https://heartfield.adk.de/en.
https://www.museumdefundatie.nl/nl/john-heartfield/

Carel Willink in kasteel Ruurlo

Carel Willink

Ondanks zijn gebrekkige realisatie en de uiterst onvriendelijke ondersteuning, is de Nederlandse Museumkaart een onmisbare uitvinding waar we toch een beetje trots op mogen zijn. Musea zijn enorm duur, losse kaartjes voor een beetje museum kosten ergens tussen de 10 en 20 euro, maar voor 65 euro, en de helft daarvan voor jongeren, koop je de Museumkaart waarmee je een heel jaar lang alle Nederlandse musea in kan.

De Museumkaart bracht ons vandaag naar Ruurlo, waar in kasteel Ruurlo een overzichtstentoonstelling is ingericht over het werk van Carel Willink. Willink experimenteerde met meerdere stijlen, maar is vooral bekend geworden om zijn werk met een sterk realistische stijl.

Zijn weergave van stof is geweldig. Ik zie een knoop in een gehaakte stropdas die uit een schilderij springt, en een portret van Henri Isaäc Keus in een tweed pak dat meer een portret van een tweed pak is met een man er in. Willink steekt Zurbarán, de Spaanse meester van het afbeelden van stof naar de kroon. Maar mijn vrouw wijst me ook op de handen van de mand, die vlezig op de leuning van een stoel liggen. Je ziet de aderen van de man kloppen.

Andere, landschappelijke schilderijen doen met denken aan Beeple, een moderne digitale realist.

beeple

Can not stop reading – Maus by Art Spiegelman

Maus Compleet

You can’t put this down, I read somewhere before acquiring this book.

Indeed.

Much has already been written about this classic comic Maus by Art Spiegelman; just adding I love it and indeed couldn’t put it down. Two volumes straight.

I can’t finish On Photography by Susan Sontag

I tried reading On Photography by Susan Sontag. The book was recommended to me as a must-read for photographers. I will not doubt it is a classic analysis photography, but my mind seems incapable of absorbing the sentences.

On Photography

The book analyses why people make photographs, what it means, how it relates to other art forms, how people pursue photography. And more, like an article about Diane Arbus’ work.

I find the theoretical analysis quite problematic, being a photographer myself. While taking pictures I do not want to (nor can I) philosophize about the picture-taking itself. I don’t want to know. I want to think as little as possible about the process, but focus on the act, on the picture. Of course I have a frame of reference. But it’s somewhere back in my head, in the unconscious probably.

Susan Sontag portrait
Susan Sontag

I put the book away about halfway through. I feel defeated.

Diane Arbus photographer in action portrait
Diane Arbus
Diane Arbus - Female Impersonators Backstage, 1962
Diane Arbus – Female Impersonators Backstage, 1962

The Art of Punk – Museum of Contemporary Art (video)

What a wonderful series – The Art of Punk. Hidden treasure (for me).

Black Flag. Well, actually this episode is primarily about the artist Raymond Pettibon, who invented the Blag Flag logo and created the unique merchandizing for the band.

Dead Kennedys

Crass

Austin Kleon’s 2020 list

This list of 2020-happy-things from the hugely creative Austin Kleon can keep me busy for weeks.

His newsletter is great.

Kim Gordon – No Icon

Kim Gordon published a wonderful “artist’s scrapbook” called No Icon. As a somewhat shy artist she hesitated to create a book about herself, but it has become a beautiful authentic document.