Surely You’re Joking, Mr. Feynman — Gelezen op Terschelling

Surely You're Joking Mr Feynman boek cover Richard Feynman autobiografie

De afgelopen dagen waren we op de Wadden. Terschelling en Ameland. Het waren eerst koude, daarna vochtige mistige dagen. Maar aangenaam want relaxed.

Ik las in al die mist ‘Surely You’re Joking, Mr Feynman’. Bij het lezen van de eerste hoofdstukken dacht ik: Wat is dit voor een zelfgenoegzame man? Het leek een soort schelmenroman, waarin de hoofdpersoon zichzelf een beetje te interessant vindt.

Die schelmeninslag blijft wel, maar al snel wordt de toon wat ingetogener. De verhalen zijn vermakelijk; het is snel geschreven.

Feynman — controversieel en afstandelijk?

Feynman is een controversiële persoon, werkt als theoretisch fysicus, hangt graag rond in bars, verliest op jonge leeftijd zijn vrouw aan TBC, omringt zich graag met mooie vrouwen, die blijken zijn recht-door-zee karakter verfrissend te vinden, en zijn ongepolijste manieren wel waarderen.

Maar nergens kijken we echt diep in de ziel van Feynman. Hij blijft afstandelijk waar het emoties betreft. Over zijn jeugd — van zijn vader erft hij een hekel aan pompeus gedrag — en over bijvoorbeeld het overlijden van zijn vrouw — het wordt bijna terloops verteld, zonder diepe emoties. Toch staat hij te huilen als een rok in de etalage hem aan zijn vrouw doet denken. En als hij een crack-down heeft, vertelt hij dit terloops.

Op zich maakt dit alles het boek ook wel weer consistent: een schelmenroman over een uitzonderlijke wetenschapper met een brede interesse in de wereld. Die ook nog een Nobelprijs wint. Terwijl hij naar eigen zeggen in zijn hele leven maar 1 keer een echte uitvinding heeft gedaan.

Wetenschap en cultuur

Feynman heeft geprobeerd wetenschap en cultuur dichter bij elkaar te brengen. Maar hij stuitte hierbij vaak op wederzijds onbegrip. Hij ergert zich aan de pompeuze vaagheid en het wollige van de alfawetenschappers op een conferentie. Wat staat er eigenlijk in het rapport: helemaal niks.

In het laatste hoofdstuk van het boek graaft hij dieper in een oproep om gedegen wetenschappelijk werk na te streven. En geen shortcuts te bedrijven om commerciële belangen of budgettaire redenen.

Hij ziet een trend naar doelredeneren en waarschuwt dat waarheidsvinding gedegen en integer moet zijn.

Heel actueel in een tijdperk waarin de autocratische leiders afstand nemen van wetenschappelijke bevindingen.

Persoonlijk had ik gehoopt iets meer te lezen over zijn bijdrage aan het ontstaan van Quantum Computing. Maar dat zal ik elders moeten zoeken.

McLuhan op de stapel

Het is interessant. Ik heb inmiddels Douglas Coupland’s biografie over Marshall McLuhan gelezen als volgende op de stapel: Marshall McLuhan: You Know Nothing of My Work!”

McLuhan was ook iemand die de brug tussen beta en alfa — techniek en cultuur — sloeg. Met sensationele consequenties.

Weten we wat Feynman van McLuhan vond?

Beide mannen waren gefascineerd door de manier waarop we de werkelijkheid waarnemen en modelleren. Een confrontatie tussen de harde, empirische wetenschap van Feynman en de speculatieve, synthetiserende geesteswetenschappen van McLuhan lijkt mij interessant.

Amazon over de McLuhan biografie van Douglas Coupland (ik kopieer hier Coupland’s stijl in het boek zelf):

Marshall McLuhan: You Know Nothing of My Work! Hardcover – November 30, 2010
by Douglas Coupland (Author)
4.7 4.7 out of 5 stars (21)
3.9 on Goodreads
804 ratings
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A crackling look at the philosopher whose founding ideas were at once obscure and eerily prophetic.
Marshall McLuhan, the celebrated social theorist who defined the culture of the 1960s, is remembered now primarily for the aphoristic slogan he coined to explain the emerging new world of global communication: “The medium is the message.” Half a century later, McLuhan’s predictions about the end of print culture and the rise of “electronic inter-dependence” have become a reality—in a sense, the reality—of our time.

Douglas Coupland, whose iconic novel Generation X was a “McLuhanesque” account of our culture in fictional form, has written a compact biography of the cultural critic that interprets the life and work of his subject from inside. A fellow Canadian, a master of creative sociology, a writer who supplied a defining term, Coupland is the ideal chronicler of the uncanny prophet whose vision of the global village—now known as the Internet—has come to pass in the 21st century.
Print length 224 pages
Language English
Publisher Atlas
Publication date November 30, 2010
Dimensions 0.54 x 0.09 x 0.74 inches
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Meer over Terschelling in de mist.

Meer over boeken.

Straw Dogs — John Gray’s assault on humanism, progress and free will

Straw Dogs is John Gray’s assault on humanism. Gray, a British philosopher, doesn’t do optimism. He challenges the belief in human progress and our supposed uniqueness in nature.

The title comes from an ancient Chinese ritual: straw dogs were treated as sacred during ceremonies, then unceremoniously discarded afterward. For Gray, humanity itself is such a straw dog. Temporarily elevated by our own narratives, but ultimately disposable in nature’s indifferent scheme.

Straw Dogs by John Gray

Against Humanism: The Religion of Progress

Humanism, Gray argues, is a post-Christian religion masquerading as secular rationality. The assumption that humans can improve the world through reason and moral action is, in his view, dangerous folly inherited from Christianity’s teleological worldview.

Where Christianity promised salvation through Christ, humanism promises salvation through science, technology, and moral progress.

But Gray sees no evidence for this optimism. Humans became the dominant species not just through evolutionary luck. Climate change may be the mechanism through which the planet strikes back. Like other animals under stress, humans respond to environmental pressure with reduced reproduction, increased infections, and war. Not with enlightened cooperation but with the exact brutal mechanisms that govern all of nature.

Human (Non-)Exceptionalism

Gray’s most provocative claim: human consciousness does not make us special.

He draws on Schopenhauer’s dismissal of Kant’s rational individual. Humans are not autonomous conscious agents but, like all animals, embodiments of a universal Will. Our self-awareness is neither unique nor elevating.

This connects to Douglas Hofstadter’s “strange loop” theory in Gödel, Escher, Bach. Consciousness emerges from lower-level neural activity, like intelligence emerges from an ant colony.

Where Hofstadter finds beauty in this emergent complexity, Gray sees only further evidence that our consciousness is nothing special. Just another natural phenomenon. Nothing that elevates us above other animals or grants us cosmic significance.

Free will? A trick of the mind. A post-hoc rationalization we use to justify our actions. We tell ourselves stories about our choices, but these narratives are illusions.

Unconsciousness is just as powerful as consciousness, which is why meditation and similar practices aim to quiet the chattering mind. Gray doesn’t criticize these practices. He frames them as a correct understanding of the human condition and a solution to the problem of the burdensome conscious self.

Technology: Master or Plaything?

We cannot control technology, Gray insists. Humankind will misuse it despite our benign intentions. Science cannot bring reason to an irrational world. This contrasts with our current techno-optimism.

Gray’s vision of humans being replaced by their technical creations parallels Yuval Noah Harari’s warnings about AI and biotechnology. But Harari’s view is humanistic, concerned with preserving Homo sapiens as we know them. For Gray, human obsolescence is simply another turn in nature’s wheel. His question, “Would these machine replacements be more destructive than humans? Would it be worse?” betrays his anti-humanist stance. There is no cosmic scorecard. No inherent value in human survival.

In the future Gray envisions, digital technology will create a new wilderness, incomprehensible to humans in its entirety, extending the real world. Machines will have souls, spirits. Animism will extend to technology.

This is not science fiction dystopia but natural evolution. Consciousness was never exclusively human, so why shouldn’t it manifest in our mechanical offspring?

Language, Media, and the Manufactured Self

We use language to look back and forward, to create stories about ourselves. Christianity and humanism both destroy tragedy as a concept because they insist that there is always a better life possible. Either in this world through progress or in an afterlife.

But tragedy requires accepting that some suffering is meaningless, some losses irredeemable.

Gray observes that consciousness emerged as a side effect of language. Today, it has become a byproduct of the media. This connects directly to Neil Postman’s argument in Amusing Ourselves to Death about how media shapes consciousness.

Postman warned in his book that our obsession with entertainment and visual media would create what Huxley feared: a trivial culture “preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy.”

Gray’s observation that consciousness itself has become a media byproduct represents the ultimate fulfillment of Postman’s prophecy. We no longer consume media; media constitutes our inner lives. The self is manufactured, edited, and curated. A performance staged for an audience of ourselves and others, mediated through screens and feeds.

This connects to Marshall McLuhan’s famous dictum: “the medium is the message.” The technology itself, not its content, shapes consciousness and social organization. As Oliver Burkeman argues in Four Thousand Weeks, we’ve become so addicted to our devices and information streams that we’ve lost touch with our finite existence.

Gray would agree. Our media-saturated consciousness is just another distraction from the fundamental fact that we’re animals, not special beings with privileged access to truth or meaning.

Morality as Accident

Gray follows Freud in arguing that a sense of justice depends on childhood accidents. Being good is a result of good luck, not moral choice.

Moral intentions have a short history. Equality, the current moral orthodoxy, may well be succeeded by another framework. And so will our concepts of justice.

This relativism extends to the good life itself. Personal autonomy is an imagination. The most essential things in our lives are unchosen. We must improvise. The good life has no principles, no purpose. It simply is. What needs to be done is individual, not bound by universal morality. It comes naturally—or it doesn’t.

Provocatively, Gray notes that pleasure is most intense when mixed with sensations of immorality. (Like humor is best when it has a vile edge.) The good life flourishes not through following moral truths but despite, or because of, immorality.

This isn’t nihilism so much as naturalism. Animals don’t consult ethical frameworks, yet they live and flourish.

Economic Realities and the Obsolescence of the Masses

Industrialization created the working class and will make it obsolete. Gray predicted this before Piketty and Sandel analyzed how meritocracy creates a new aristocracy.

Sandel’s The Tyranny of Merit nails it: our meritocratic system humiliates losers while making winners insufferable. Piketty and Sandel want progressive taxation, greater equality, and what Sandel calls “contributive justice”. Ensuring everyone can contribute to the common good and receive recognition.

Gray would call this a more humanist delusion. The very belief that we can engineer a more just society through policy reform is the folly he attacks. Moral intentions have a short history. Today’s orthodoxy of equality will be succeeded by another. Justice itself is contingent, not absolute.

Economic life is geared toward satisfaction, manufacturing increasingly exotic needs, goods, and experiences. Drugs, sex, violence: antidotes to boredom. This is consumer capitalism’s truth, stripped of pretense. We’re not building toward anything. We’re distracting ourselves from the void.

Gray wrote during a period when wars were increasingly seen as non-state-driven: Al Qaeda, terrorism. We know better now. Russia operates as a mafia-based anarcho-capitalist state, spreading its model across the Western world. The US, Hungary, elsewhere. (Putin’s kleptocracy as export model—what a time to be alive.)

Future wars will be wars of security, not ideology. War has become a game, an entertainment for consumers in rich countries. Real war remains a habit of the poor, a violent chase for the dream of freedom.

Religion, Atheism, and the Death of God

Atheism, Gray argues, is part of Christianity. In polytheism, it never existed.

Christianity was the first religion to claim exclusive truth: one God, one path to salvation. When Europeans stopped believing in God, they didn’t abandon this structure. They simply replaced God with other absolutes: progress, reason, science, humanity.

Technical immortalists believe technology can make humans immortal. (Really, these Silicon Valley types are just monks in hoodies.) They’re engaged not in a scientific project but in a religious one, attempting to free us from fate and mortality.

Suffering, savior, deliverance: constructs designed to attract and retain believers in faiths, including Christianity and humanism. In humanism, miracle, mystery, and authority are embodied by science and technology.

But this is, as the Dutch say, a hersenschim—a phantom, an illusion.

The advance of our knowledge deludes us into thinking we’re different from animals. We’re not.

Gray’s Consolation: The Art of Contemplation

After this relentless demolition, Gray offers an unexpected consolation, a way to deal with the horrific facts we mortal humans face.

Action to create progress is illusory. Contemplation is underrated. Progress implies a destination. Play has no point. We labor like Sisyphus, pushing the boulder up the hill, watching it roll back down.

But can we make labor more playful? Can we approach technology and science not as means of mastering the world but as forms of play? No mastering, no progress. Just play.

Spiritual life, in Gray’s conception, is a release from the search for meaning. The perfection of humankind is a dreary purpose. The idea of progress is like searching for immortality, a denial of what we are.

Contemplation means surrendering to the never-returning moments, turning away from yearnings, and focusing on mortal, transient things. Groundless facts, things that simply are, without justification or purpose, are the proper objects of contemplation.

The aim of life: to see.

Not to improve. Not to progress. Not to perfect. Just to see. Clearly. Without humanistic hope blurring the view.

Conclusion: Debunking as Philosophy

Gray’s Straw Dogs is philosophy as demolition. Not comfort, not guidance. Just stripping away delusions.

Harari warns of AI doom. Piketty and Sandel champion equality. Postman’s media warnings were vindicated and ignored. We still believe in progress, in human perfectibility.

Gray’s voice? Either necessary corrective or intolerable provocation.

Probably both.

Connections

Without a preconceived plan, I have written about Neil Postman’s media critique, about Burkeman’s meditation on mortality in Four Thousand Weeks, about McLuhan’s “the medium is the message.” Gray’s pessimism dialogues with all of them. Also with Hofstadter on consciousness, with Piketty and Sandel on meritocracy, with Harari on technology’s future.

Gray rejects control and mastery, like Taleb in Antifragile. Taleb’s distinction between the fragile (technology, complex systems) and the antifragile (natural processes, ancient wisdom) parallels Gray’s preference for contemplation over action. Both recognize that human attempts to engineer perfect systems inevitably backfire.

Burkeman’s meditation on our four thousand weeks echoes Gray’s call to surrender to finitude. Where humanists seek immortality through progress or technology, both Burkeman and Gray counsel acceptance of mortality as the path to authentic living. The “paradox of limitation” Burkeman describes (that embracing our constraints makes life more meaningful) is fundamentally Gray’s position: stop trying to transcend your animal nature and simply live within it.

Read more of my posts on books.

Shopping In Jail by Douglas Coupland: Notes on Surrealism, Technology, and Modern Art

Shopping In Jail

My notes from reading Shopping In Jail by Douglas Coupland:

About surrealism, the subconscious, Internet.

Surrealism today: a randomizer, throwing images and video clips at you. Like taking a snip out of time and putting these in sequence.

On Ed Ruscha. And about the insignificance of (most) of our actions and of (most) art.

About Craft and novelty. Novelty that reflects the prominent yet less powerful forces of a culture is interesting. The crafted object may be the new modern art, in a world of digital overwhelm.

A piece on Hari Kunzru’s Gods Without Men. The piece is difficult to follow, I have not read that book. It seems a literary manifestation like Harari’s Homo Deus:

Raj is whatever and whoever it is we all seem to have become: a race of time-traveling time killers Googling and Wikiing until our machines transform into something smarter than ourselves, we humans left only to hope the machines may save us in the process.

A piece about Coupland’s visit to China for the book Kitten Clone. About how China is fully embracing new technology and the western world is hesitating complacently (if complacently is a word).

I find it difficult to accept that the new iPhone 12 or foldable Samsung is necessarily a significant technological development I cannot ignore. In my opinion we are too heads-down in today to be able to make sound judgements on the historical relevance of specific, or even more general technological developments.

I understand very well why it’s located in Shanghai, but not why there isn’t also one located in Michigan, where 10 million primates needing 2,500 calories a day are sitting on top of a cold rock in the middle of the North American continent, and they’ve got nothing to do all day except go online and watch porn, TED videos, and bit-torrented movies, …

A piece about Marshall McLuhan, again difficult because I have not read McLuhans work yet. I want though. His work sounds very intriguing.
McLuhan is a futurist. Coupland sees how with all that data that “the internet” knows about us, a cloud gänger is thinkable, but he misses sentience.
The same word that Kevin Kelly uses as one of the characteristics of the Technium, the “living” body of evolving technologies.
Sentience of the Technium is not yet to be born. It is there already, says Kelly.