Over boeken, literaire reflecties en het web van literatuur, door Niek de Greef. Werner Herzog, Paul Theroux, V.S. Naipaul en meer. Nederlandse en Engelstalige boeken.

Tim Robinson’s joy for precision

Tim Robinson’s books are amazingly interesting precise works of litarature. He has created a new genre of literature, a landscape biography.

With meticulous labor, Robinson in the two books Stones of Aran: Pilgrimage and Stones of Aran: Labyrinth tells us about the history of the islands. He does this while describing his systematic hikes across the Aran Islands, painting a detailed view of the barren island.

The small Aran Islands are presented meter by meter, crag by crag, fissure by fissure.
As a mapmaker he records every limestone rock, house, barn, wall. But he also talks to the farmers. He talks about the isolation of the islanders. Their strange habits. Their faith. Their own Saint Enda of Aran. Their history.

The people of Aran were extremely poor and permanently threatened by famine. On their small rock island on the edge of the Atlantic Ocean, they made a living by fishing, harvesting burning seaweed to sell the kelp (which contained iodine and alkali), and growing potatoes on their fissured rocky field fertilized with seaweed.

“Large families live of the bounties of a few small plots, and save all other income for the rent; the potato thrived on the plenteous labour of those families, the carting of sand and seaweed that created the plots out of rock, the spadework that doubled the shallow soil into ridges, the weeding and watering could be done by children. Fecundity led to overcrowding: the ridges full of low-quality potatoes vulnerable to drought, pests, diseases and prolonged salty winds that scorched their stems…” (Labyrinth)

“The Aranners distinguish about thirty types of seaweed, each with its own advantages and disadvantages as fertilizer, for various crops or as raw materials of kelp. The main division is between feamainn dhubh, blacked and feamainn dhearg, redwood. The former comprises the dark-toned Focus species that grow on the upper and middle shore, …” (Pilgrimage)

They hunt for basking sharks in wobbly boats, called currachs, made of lath and canvas …

“All available tackle – ‘spears, gaffs, bocáns, pocáns, buoys, boreógs, straimpíns, one knives and poles and chains taken from a ship wrecked at Big Cleft’ – was assembled and carried down to Port Bhéal and Dúin; a spear was attached by a rope and a cable to a chain wound around a big boulder in a depp pot-hole of the shore; five three-men in currachs were launched, a shark was eventually speared, and when it had run itself to exhaustion another team of fitted men hauled it ashore.” (Pilgrimage)

And go on life-endangering searches high on the cliffs for eggs and birds.

“Razor bills, guillemots, and black guillemots, puffins and cormorants were the birds usually taken on the cliffs. Both eggs and birds were eaten, …

The hunt was conducted as follows. The men would walk across the the cliffs at dusk with the rope, which was often a communal investment. One end of it would be tied around the cliff man’s waist and between his legs, and the other made fast to an iron bar driven into a crevice or wedged in a cairn on the clifftop. A team of up to eight would lower the cliff man, guided by signals from a man stationed out on a headland from which he could watch the progress of the descent. The cliff man would carry a stick to keep himself clear of the cliff face while swinging of the rope…” (Pilgrimage)

A masterpiece of scrupulous investigation. Wonderfully written with massive joy and persistence.

Design your future – Taylor Pearson on the end of jobs

Create your own job, Taylor Pearson tells us in The End of Jobs. And explains how profitable this can be in today’s world.

Jobs as we know them will largely disappear. We are at the end of the Frederick Taylor work era.

Jobs are replaced by entrepreneurs. Everyone can be an entrepreneur, building a meaningful life doing what they want, now serving the long tail of markets has become profitable.

“The opportunity to align your fundamental drives for freedom and meaning with profitable work is greater than you may believe.”

“The problem both for us as a society and as individuals is that we’re asking the wrong question: “How do I get a job doing that?” What if the better question is: “How do I create a job doing that?”

linchpin

Pearson refers to Seth Godin (The Linchpin), Tim Ferriss (The 4 Hour Work Week) and James Altucher (Choose Yourself, and here), not just as examples of
people building something that did not exist, but also to their stories on how to create more meaningful and profitable work.

Pearson explains that new technologies give everyone access to higher education, leading to pressure on the job market. In addition to that, moving work to low cost countries has never been as easy.

This is why employees, with their seemingly safe jobs, should remain looking for a competitive advantage. The good part however is that these emerging technologies also provide new exciting opportunities for self realization, and do what you really want to do.

“For the first time in history, we’ve reached a point where humans’ natural drive to strive and grow by working on interesting problems aligns with what the market demands. It’s not only in congruence with fundamental human drives—it’s more economically valuable. Finding meaning in your work isn’t just fulfilling. It’s a profitable business strategy.”

There is a growth in the fourth economy – chaos, where entrepreneurial approaches and skills are key to success.

But fear of the unknown is withholding us.

“What the stoics unearthed and Ferriss rediscovered was this fundamental truth: we frequently avoid making choices not because the outcome is bad, but simply because it’s unknown.”

Citing and referring to Nassim Taleb (Antifragile, and here), Pearson argues that technology drives everyone from Mediocristan (the bell curve, extrapolate past performance) to Extremistan. Risk no longer lives in the past, but it lives in the future. And as an entrepreneur you need to become more capable of handling risk, to stand out in unpredictable environments. Become more Antifragile.

This change in our world, and the rising opportunity has been described by Chris Anderson in The Long Tail. The works of Ferriss, Altucher, Seth Godin and Nassim Taleb are driven by the same change force.

“As the costs of production and distribution fall, especially online, there is now less need to lump products and consumers into one-size-fits-all containers. In an era without the constraints of physical shelf space and other bottlenecks of distribution, narrowly-targeted goods and services can be as economically attractive as mainstream fare.”

we-are-all-weird

The books Seth Godin (Tribes, We Are All Weird) elaborate on the same phenomenon, from merely a marketing perspective.

While the book has a great title, Pearson very unfortunately in the conclusion section puts a question mark to his own work.

“Many people I talked to in the process of writing this asked me, do you really think that’s happening?
You really think that we’re moving into this amazing period of freedom and wealth as entrepreneurs?
The short answer: maybe.”

Pearson is hesitant but continues his positive story about the opportunities for us to build our own life.

“Never before in human history has an individual staring at his world had a greater ability to craft that story into one that now exists only in your imagination. You have the opportunity, right now, to design the future. Your future. Our future.”

It Will Be Exhilarating Review: Studio Neat’s Bootstrap Story

It Will Be Exhilarating by [Provost, Dan, Gerhardt, Tom]

The creators of the Glif decided to write It Will Be Exhilarating to share their experience building their company Studio Neat. They build their company as lean as possible, bootstrapped it, using low level tools, crowdsourcing and simple concepts.

Indie Capitalism: How Studio Neat Built a Lean Creative Business

Their example was 37Signals, a company raised with a comparable independent approach, whose founders also wrote a book, Reworkread my post on that book here, about their experiences.

The book is describing Indie Capitalism.

Afbeeldingsresultaat voor studio neat the glif

Focus and simplicity are essential. As important as the thing you do, are the things you decide not to do.

Work your ideas:

“Your idea is not doing anyone any good by remaining only an idea.”

Practical tips: create a product video that is brief and clear.

“Our two project videos have been like a Pixies song: soft, loud, soft.”

And two minutes long.

the pixies band photo

Practical references.

“There are a lot of great resources out there to familiarize yourself with various processes. Making It: Manufacturing Techniques for Product Design, by Christ Lefteri, is an excellent place to start and describes common production methods in straightforward”

On becoming Internet famous:

“The key lesson, in a nut shell, is to be proactive. The bloggers will rarely come to you; it is your job to make their job easier by seeking them out, and providing the pertinent information.”

They refer to the famous Kevin Kelly solution for becoming famous amongst the niches in the long tail.

“What all of this really comes down to is building a fan base. By putting things out there, consistently, you can form a relationship with your customers. It allows them to see the person behind the products. You are not a faceless corporation, so why act like one?”

Kevin Kelly:

“A creator, such as an artist, musician, photographer, craftsperson, performer, animator, designer, videomaker, or author—in other words, anyone producing works of art—needs to acquire only 1,000 True Fans to make a living.”

And it does not have to be complex. Make a business from your passion. Just do it.

“Start something on the side, see if it turns into anything.”

They go on to describe how easy this is today. Many tools on the Internet. And more importantly, the environment is changing as well. Access to distribution channels is super easy using the Internet.

“The gatekeepers are leaving their gates. You can be as creative as you need to be to get your work seen. YouTube and the web (and whatever comes after Youtube and the web), can give you more watching than television ever did.”

Not only are the gatekeepers disappearing, the very practical help with starting a business, like this book, helps creative people pursue their passion.

2025 Update: Studio Neat is nog steeds actief. Indie capitalism is relevanter dan ooit, nu met Patreon, Substack, en andere creator platforms. De lessen uit dit boek blijven waardevol.

Douglas Adams’ Salmon of Doubt on Beatles, Bach, Wodehouse, technology, Apple, atheism and hurling the chairs around.

Douglas Adams died young. Aged 49, in 2001.

foto van douglas adams

But in his short life he wrote The Hitchhiker’s Guide to the Galaxy. Enough for a meaningful life.

The Salmon of Doubt bundles the unpublished work he left on his Mac when he died.

When I read about this book first, it promised to be the unfinished sequel to The Hitchhiker’s Guide to the Galaxy. But it is not. At best a very very little bit.

The hitchhiker's guide to the galaxy book cover

The first number of stories are articles Adams wrote for different newspapers and magazines. After 2 thrids into it, the book finally gets to the proposed draft for the 6th sequel of the Hitchhikers Guide. But this part is prefaced with a remark by Adams saying a lot of the material in The Salmon does not work and could be yanked out.
Most of the stories following are unfinished Dirk Gently chapters. Dirk Gently is a bizar detective novel series created by Adams. A different topic than the Hitchhiker’s Guide, very amusing though.

The book starts right off with an introduction by Terry Jones (Monty Python, yes that Terry Jones).

“You are, without doubt, holding in your hands one of the best-introduced books in the English language. We hope you enjoy the Introduction to the New Edition that follows this Introduction to it and continue to read on even into the book itself. “

He is referring to the fact this is the third introduction in sequence to the new edition of the book.

“But with this handsome volume, I hope that Douglas’s work has finally achieved the full complement of Introductions that it deserves. Perhaps future editions might even boast a Foreword and a Foreword to the Foreword, so as to keep Douglas’s wonderful writing to the forefront of properly prefaced literature. Please enjoy this book and, when you have finished it, do not leave it on the train.”

The books has gathered published and unpublished articles and parts of books that are very entertaining but also provide a peak into the mind of the man who created The Hitchhiker’s Guide to the Galaxy, giving the number 42 its special meaning.
He talks about his love for The Beatles.

“It bewildered me that no one else could hear it: impossible harmonies and part playing you had never heard in pop songs before. The Beatles were obviously just putting all this stuff in for some secret fun of their own, and it seemed exciting to me that people could have fun in that way.”

To Adams the English writer P.G. Wodehouse is just as important to English literature as Milton, Shakespeare and Keats.

PG. Wodehouse

“Shakespeare? Milton? Keats? How can I possibly mention the author of Pearls, Girls and Monty Bodkin and Pigs Have Wings in the same breath as these men? He’s just not serious! He doesn’t need to be serious.”

And Bach.

“The familiarity of the Brandenburgs should not blind us to their magnitude. I’m convinced that Bach is the greatest genius who ever walked among us, and the Brandenburgs are what he wrote when he was happy.”

Technology becomes almost an obsession for Adams. He can be real nerdy, is a gadget freak and a life long Apple adept. He writes about the limitations of the technology at that time and the improvements he wants to see. Some are quite predictive. He fulminates about how the different technologies on his Mac do not integrate, and how he wants to see improvements.

“What I want to be able to do is this:

– Turn on the machine.
– Work.
– Have a bit of fun provided I’ve done enough of 2, which is rarely, but that’s another issue.”

(That latter refers to his reputation of being unable to deliver in time and missing deadlines. “I love declines, I love the whooshing noise they make as they go by.” But that’s another issue.)

“What I’m talking about is the death of the “application.” I don’t mean just when they “unexpectedly” quit, I mean it’s time we simply got rid of them.”

He wants his problem of having different devices and still share everything he does on any device. Today IT nerds will start yelling CLOUD immediately before he could have finished his sentence.

“All I want to do is print from my portable. (Poor baby.) That isn’t all I want, in fact. I want to be able regularly to transfer my address book and diary stacks backward and forward between my portable and my IIx. And all my current half-finished chapters. And anything else I’m tinkering with, which is the reason why my half-finished chapters are half-finished. In other words, I want my portable to appear on the desktop of my IIx.”

He wants to get rid of “technology”. His definition of technology is interesting.

“We are stuck with technology when what we really want is just stuff that works. How do you recognize something that is still technology? A good clue is if it comes with a manual.”

The world changes rapidly and Adams describes the need for a vision on what the world will look like in the no so far future, as well as our inability to do so. His reasoning precedes the scientific works of Daniel GilbertStumbling On Happiness – who writes about his scientific findings in similar terms.

“Trying to predict the future is a mug’s game. But increasingly it’s a game we all have to play because the world is changing so fast and we need to have some sort of idea of what the future’s actually going to be like because we are going to have to live there, probably next week.”

“We were wrong about trains, we were wrong about planes, we were wrong about radio, we were wrong about phones, we were wrong about . . . well, for a voluminous list of the things we have been wrong about”

Relating the inability to predict the future to the application of technology, we all have heard some of the horrible technology predictions, for example Worst Tech Predictions).

The one Douglas Adams mentions I had not heard yet, but is equally amusing. Followed by a fabulous prediction from himself.

“One such that I spotted recently was a statement made in February by a Mr. Wayne Leuck, vice-president of engineering at USWest, the American phone company. Arguing against the deployment of high-speed wireless data connections, he said, “Granted, you could use it in your car going sixty miles an hour, but I don’t think too many people are going to be doing that.” Just watch. That’s a statement that will come back to haunt him. Satellite navigation. Wireless Internet. As soon as we start mapping physical location back into shared information space, we will trigger yet another explosive growth in Internet applications. At least—that’s what I predict. I could, of course, be wildly wrong.”

Adams defines himself as an radical Atheist. And he is very serious about this.

“So, I do not believe-that-there-is-no-god. I am, however, convinced that there is no god, which is a totally different stance and takes me on to my second reason.”

He has given this a lot of thought and the chapter on the topic in this book is a logical flow of reasoning that brings Adams to the conclusion that there is no real god, but there is an artificial god.
Adams argues (deduces) that god is what defines life.

“So, in the end, in the absence of an intentional creator, you cannot say what life is, because it simply depends on what set of definitions you include in your overall definition. Without a god, life is only a matter of opinion.”

He links his view on god to his insight in technology and computers. He argues that the complexity of life is not something specific to life itself, but that this can be seen in other forms as well, such as computer programs.

“The computer forms a third age of perspective, because suddenly it enables us to see how life works. Now, that is an extraordinarily important point because it becomes self-evident that life, that all forms of complexity, do not flow downward, they flow upward, and there’s a whole grammar that anybody who is used to using computers is now familiar with, which means that evolution is no longer a particular thing, because anybody who’s ever looked at the way a computer program works, knows that very, very simple iterative pieces of code, each line of which is tremendously straightforward, give rise to enormously complex phenomena in a computer—and by enormously complex phenomena”

Adams of course does not give references to his information source, but Mandelbrot and others have shown (read James Gleick’s Chaos: Making a New Science) that from very simple mathematics, extremely complex phenomena emerge.

stephen wolfram a new kind of science book cover

It is also unclear of Adams may have been aware of the work of Stephen Wolfram, who published his bible A New Kind of Science on this topic, in 2002, one year after Adams’ death. (Just noticed that, interestingly, both Gleick and Wolfram books refer to the field they  describe in their books as a new science. I am not sure either of them is right in that respect.)

And since there is no longer a God needed to explain the origin of the complexity of life, God in Adams’ definition becomes the explanation of the complexity itself.

“I suspect that as we move farther and farther into the field of digital or artificial life, we will find more and more unexpected properties begin
to emerge out of what we see happening and that this is a precise parallel to the entities we create around ourselves to inform and shape our lives and enable us to work and live together. Therefore, I would argue that though there isn’t an actual God, there is an artificial God, and we should probably bear that in mind.”

Adams realizes his vulnerable position as an atheist and as a person discussing the existence or even necessity of god. His friend Richard Dawkins was heavily criticized at the time about his opinions on religion (this was years before The God Delusion). And he finds this incomprehensible.

“So we are used to not challenging religious ideas, but it’s very interesting how much of a furor Richard creates when he does it! Everybody gets absolutely frantic about it because you’re not allowed to say these things. Yet when you look at it rationally, there is no reason why those ideas shouldn’t be as open to debate as any other, except that we have agreed somehow between us that they shouldn’t be.”

Hence he ends his reasoning on this typic in typical Douglas Adams style.

“That is my debating point, and you are now free to start hurling the chairs around!”

Labyrint Europa – Cees Nooteboom recensie

Labyrint Europa boek cover Cees Nooteboom

Labyrint Europa – Cees Nooteboom

Vroeg opgestaan om voor te blijven op mijn collega’s. Maar Nooteboom’s Labyrint Europa kwam er tussenin.

Europa in de jaren ’70

Het verhaal over de recessie in de jaren ’70 zou een wake-up call moeten
zijn voor alle politici die zich laten meeslepen door de waan van de dag. Bijzonder interessant is Nooteboom’s analyse van Enoch Powell – een
intelligente en welbespraakte Britse voorganger van onze eigen Geert Wilders. Opvallend relevant vandaag de dag.

Een verenigd Europa als droom

Cees Nooteboom schrijver portret

Interessant is hoe Nooteboom in het boek peinst over wanneer hij ooit door Europa zou kunnen reizen zonder geld te wisselen en met een Europees paspoort op zak. In een rolstoel, veronderstelt hij.

Hij schreef dit in 1977. En we kunnen zeggen: er is toch iets bereikt in Europa.


Meer boekrecensies van Cees Nooteboom en andere Nederlandse literatuur.

Meer van Nooteboom: De brief en Japan.