Over boeken, literaire reflecties en het web van literatuur, door Niek de Greef. Werner Herzog, Paul Theroux, V.S. Naipaul en meer. Nederlandse en Engelstalige boeken.

Stranded — Greil Marcus over het desert island album dilemma

Welk album neem je mee naar een onbewoond eiland?

Boek cover van mijn oude kopie van stranded van greil marcus

Greil Marcus liet in 1979 twintig Amerikaanse rockcritici hun desert island disc kiezen en hun keuze verdedigen in Stranded. Dit soort literatuur kan ik eindeloos blijven lezen. Of er een blog of podcast over maken. Misschien bestaat die al, maar ik ben te lui om het uit te zoeken.

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Het boek schetst een mooi beeld van de jaren 60 en 70, en natuurlijk de rockscene uit de tijd dat vinyl nog mainstream was. Sommige bands zijn behoorlijk obscuur geworden. The Ronettes, oké, die herinner ik me nog, en veel jongeren hebben vast weleens een nummer van ze gehoord. Maar Little Willie John, Hugh Smith… Ik kan me niet herinneren ooit van ze te hebben gehoord. En ik was destijds wel met muziek bezig, las verwoed over het onderwerp: Oor, Rolling Stone, NME.

De keuzes in het boek zijn verrassend divers. Lester Bangs kiest voor Astral Weeks van Van Morrison. Greil Marcus zelf voor de New York Dolls’ debuut. Ellen Willis verdedigt Captain Beefheart’s Trout Mask Replica. Wat deze essays interessant maakt is niet zozeer de keuze, maar de argumentatie. Waarom dit album? Wat zegt het over wie je bent? Over wat muziek voor je betekent?

Het desert island disc gedachte-experiment dwingt je tot het onmogelijke: één album voor altijd. Geen variatie, geen afwisseling. Je moet kiezen tussen emotionele diepgang (Van Morrison) of intellectuele complexiteit (Beefheart), tussen nostalgie (The Ronettes) of energie (New York Dolls). De critici in Stranded worstelen hier allemaal mee, en dat worstelen maakt het boek goed.

Marcus verzamelde de essays voor Stranded in een tijd waarin muziekcritiek serieus genomen werd. Toen rockcritici als intellectuelen werden beschouwd, niet als marketingafdelingen. Het boek ademt die tijd.

Welk album zou jij meenemen?


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The God of Small Things (Arundhati Roy) – Read During a Flight Disaster

The €6,000 Flight Disaster

My flight from JFK to Johannesburg was cancelled. The travel agency had made an error with my booking, and I wasn’t on the alternative flight through Atlanta they offered. After a stressful night at the Marriott near JFK and numerous phone calls, they arranged a new flight for the next day.

The price? The new ticket had gone up from €2,900 to €4,200. Total flying cost for this trip: €6,000 for a single economy ticket.

Discovering The God of Small Things

While waiting at JFK for my rescheduled flight, I wandered into the airport bookshop and bought The God of Small Things by Arundhati Roy.

The novel tells the story of fraternal twins Rahel and Estha in Kerala, India. It’s about forbidden love, family tragedy, and how small moments shape entire lives. Roy won the Booker Prize for this debut novel in 1997.

Reading in a Dreamy Half-Conscious State

The flight was less difficult than expected, though I slept less than I hoped. I watched three movies: Bewitched (crap), Batman Begins, and Caché with the most beautiful woman on earth: Juliette Binoche.

Between the movies and fitful sleep, I finished The God of Small Things.

Arundhati Roy - the god of small things book cover

The book is wonderful, though in my mind, I’ll always associate it with the dreamy state of half-consciousness I was in while reading it somewhere over the Atlantic Ocean. Roy’s lyrical, fragmented narrative style matched perfectly with that jet-lagged mental fog. The way she plays with time and memory—jumping back and forth, revealing the tragedy in pieces—felt right for reading at 30,000 feet with no sense of time or place.

Maybe that’s the perfect way to read this particular book: untethered, floating, between worlds.

I checked in at the Sandton Sun and Towers hotel in Johannesburg. Villamoura, the hotel’s restaurant, is an absolute must—their calamari is exquisite. I collapsed after that, still thinking about Rahel and Estha.


More on book reviews via my book reviews page,

Richard Dawkins and the Expert’s Pitfall: A Critique of The Selfish Gene Footnote

the selfish gene - richard dawkins book cover

The Vile, Yet Correct Critique of Hoyle

In the 30th anniversary edition of ‘The Selfish Gene’ (2006), Richard Dawkins writes a vile but correct comment on Fred Hoyle’s misrepresentation of Darwinism in an endnote (pp. 277-278). He ends his note:

Publishers should correct the misapprehension that a scholar’s distinction in one field implies authority in another. And as long as that misapprehension exists, distinguished scholars should resist the temptation to abuse it.

This is a very accurate observation. But on the same page, in the note referenced in the main text (page 59 of the 30th Anniversary edition), Dawkins almost falls into the trap himself.

richard dawkins portait photo
Richard Dawkins

The Stain on the White Robe: Dawkins’ Error

The note’s text to the main text is so incredibly incorrect that it is pretty funny, given that he does this on the same page as his scolding of Hoyle.

In the note, Dawkins wants to explain Daniel Dennett’s theory of consciousness. Although Dennett has tried to explain his ideas in several books, Dawkins wants to summarize Dennett’s work in this two-page note for unclear reasons.

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Daniel Dennett

Incorrect Analogies from Computer Science

Dawkins takes two technical ideas from the world of computers to illustrate his ideas: the concept of a virtual machine and ’the distinction between serial and parallel processors’.

The Virtual Machine

Dawkins starts by explaining what a virtual machine is incorrectly. He mentions the Macintosh User Interface as an example of a virtual machine. The Mac is a great machine, but the Macintosh User Interface bears little resemblance to a virtual machine, and the connection with consciousness remains very unclear. Dawkins could have relied on the Wikipedia article for a correct description of virtual machines.

A virtual machine (VM) is a software-based “computer within your computer.” It lets you run a separate operating system (like Windows or Linux) in an isolated window, using your existing hardware. It’s like having a sandboxed PC inside your real one.

Serial and Parallel Processors

The story derails entirely when Dawkins turns to his description of ‘serial and parallel processors’. The piece is so incorrect that highlighting the individual errors here makes no sense. Since Dawkins fails to see the distinction between processors and processes. He starts wrong and worsens things in every sentence. And it’s not like this was rocket science at the time of writing. Parallel processing has been known and applied in computing since our own Edsger Dijkstra and others invented concepts like the semaphore and the indivisible instruction.

More linkages to Dennett’s work and that of his friend Douglas Hofstadter on page 59, where Dawkins discusses self-awareness and rejects ideas of self-awareness because

douglas r. hofstadter portrait photo
Douglas R. Hofstadter
godel escher bach by hofstadter book cover

it involves an infinite regress if there is a model of the model, why not a model of the model of the model …?

The Mind’s I‘ and also ‘Gödel, Escher, Bach – An Eternal Golden Braid‘ deal exactly with these issues.

The Salvation: A Self-Aware Disclaimer

So, can we conclude that Dawkins has fallen into the trap of asserting that a scholar’s distinction in one field implies authority in another?

As I said, almost. On page 280 Dawkins saves himself, on the edge, with this little remark:

the minds I by hofstadter book cover

‘The reader is advised to consult Dennett’s own account when it is published, rather than rely on my doubtless imperfect and impressionistic – maybe even embellished – one.’

How true.

I have never had such fun with academic footnotes.

linning the books of dennett, dawkins and hofstadter