Carters Beach, framed
Ready for the expo.
Ready for the expo.
Now modern apartments, only then in its final days.
Unexpected crossing in the fields around Krommenie.
Hans Aarsman wrote about Garry Winogrand, and also created a fantastic, expressionistic monologue about the chaos he recognizes in his photographic works.
You can download the monologue on this page, in English and Dutch. The links are sort of hidden. Hoover the mouse under the text “ARCHIEF”, where you see a large faint “X”. I think the original thumbnail has disappeared. The monologue is called Ruis in Dutch and Rattle in English. Rattle, I can imagine, is the noise in the streets, but I do not understand Ruis (noise, static). The monologue reads like a train-of-thought rattle. Very much how like Winogrand talked in a very Rattly manner.
Listen to this except:
Full interview here.
Like this image.
The documentary All Things Are Photographable about Garry Winogrand is mandatory yet enjoyable homework for every (street) photographer (ignore the sometimes soggy commentary). You can view this film by Sasha Waters Freyer for free here.
A few months ago, I bought Deborah Turbeville: Photocollage, which presents Turbeville’s collage work. It is probably the best photobook of 2023.
Huis Marseille has created a great exposition of her work and I had a look at it today.
Deborah Turbeville was an influential American fashion photographer known for her unconventional and avant-garde style. Turbeville’s unconventional career spanned both commercial fashion work and the art world. Her work is often dreamy, mysterious, almost surrealist, and ambiguous.