Clair-obscur in San Luigi dei Francesi

De taxi van Fiumicino naar het hotel in Rome kost 50 euro. Dat lijkt een beetje overdreven. Als straf geef ik geen fooi aan de taxichauffeur. Toch geeft hij me zijn visitekaartje en biedt me een korting aan voor de terugreis naar het vliegveld – 35 euro.

Ik ben dus weer een paar uur in het centrum van Rome (na een week vakantie met mijn vrouw in januari).

De metro doorkruist de rommelige buitenwijken van Rome.

Ik stap uit bij Cavour (het metrostation) en dwaal rond.

(Ik ga de Dan Brown thriller niet volgen.)

I krijg honger. Ontbijt in het vliegtuig was licht. Ik koop een sandwich, die ik opeet op weg naar San Pietro in Vincoli.

De kerk gaat om drie uur weer open. Ik ben deze lange lunchpauzes vergeten.

Ik heb geen zin om te wachten en verder te gaan via Via dei Fori Imperiali naar Piazza Novano. Op de Via dei Fori Imperiali vinden massale restauraties plaats om de afbraak 80 jaar geleden ongedaan te maken.

The Calling of Saint Matthew-Caravaggo (1599-1600).jpg

Het is enorm druk in het Pantheon, uiteraard. Snel naar binnen en dan naar San Luigi dei Francesi om de Caravaggios te bekijken. Indrukwekkende schilderijen met dat typische Caravaggio licht, alle drie gewijd aan de profeet Matthew.

Het is vreemd hoe de schilderijen in het donker zijn geplaatst. Wat ik niet wil benadrukken is Caravaggio’s clair-obscur stijl. Nee, het is het geld. Pas nadat een Japanse toerist wat munten in de machine heeft gegooid die de verlichting regelt, kun je de schilderijen een paar minuten bekijken.

Design your future – Taylor Pearson on the end of jobs

Create your own job. the end of jobs

Taylor Pearson tells us in The End of Jobs. And explains how profitable this can be in today’s world.

Jobs as we know them will largely disappear. We are at the end of the Frederick Taylor work era.

Jobs are replaced by entrepreneurs. Everyone can be an entrepreneur, building a meaningful life doing what they want, now serving the long tail of markets has become profitable.

Frankly, Mr. Shankly, celluloid history

The third album of The Smiths, The Queen Is Dead, released in 1986, was much later evaluated as one of the best albums of its era.

This album contains the song Frankly, Mr. Shankly, a song that is no longer than 2 minutes (I love – still do –  how bands like The Smiths, Ramones and The Pixies fitted most of their songs in an old-fashioned 2 minutes).

Who is this Mr. Shankly, I was wondering?

I google and searched a few books, and Mr. Shankly seems to be the founder of the Rough Trade label, Geoff Travis.

The song is about a frustrated employee who is completely fed up with Mr. Shankly as his boss, and more importantly want to change his life drastically and become famous in ‘celluloid history’.

Has celluloid since become history itself? 

Douglas Adams’ Salmon of Doubt on Beatles, Bach, Wodehouse, technology, Apple, atheism and hurling the chairs around.

Douglas Adams died young. Aged 49, in 2001.

But in his short life he wrote The Hitchhiker’s Guide to the Galaxy. Enough for a meaningful life.

The Salmon of Doubt bundles the unpublished work he left on his Mac when he died.

When I read about this book first, it promised to be the unfinished sequel to The Hitchhiker’s Guide to the Galaxy. But it is not. At best a very very little bit.

The hitchhiker's guide to the galaxy

The first number of stories are articles Adams wrote for different newspapers and magazines. After 2 thrids into it, the book finally gets to the proposed draft for the 6th sequel of the Hitchhikers Guide. But this part is prefaced with a remark by Adams saying a lot of the material in The Salmon does not work and could be yanked out.
Most of the stories following are unfinished Dirk Gently chapters. Dirk Gently is a bizar detective novel series created by Adams. A different topic than the Hitchhiker’s Guide, very amusing though.

The book starts right off with an introduction by Terry Jones (Monty Python, yes that Terry Jones).

“You are, without doubt, holding in your hands one of the best-introduced books in the English language. We hope you enjoy the Introduction to the New Edition that follows this Introduction to it and continue to read on even into the book itself. “

He is referring to the fact this is the third introduction in sequence to the new edition of the book.

“But with this handsome volume, I hope that Douglas’s work has finally achieved the full complement of Introductions that it deserves. Perhaps future editions might even boast a Foreword and a Foreword to the Foreword, so as to keep Douglas’s wonderful writing to the forefront of properly prefaced literature. Please enjoy this book and, when you have finished it, do not leave it on the train.”

The books has gathered published and unpublished articles and parts of books that are very entertaining but also provide a peak into the mind of the man who created The Hitchhiker’s Guide to the Galaxy, giving the number 42 its special meaning.
He talks about his love for The Beatles.

“It bewildered me that no one else could hear it: impossible harmonies and part playing you had never heard in pop songs before. The Beatles were obviously just putting all this stuff in for some secret fun of their own, and it seemed exciting to me that people could have fun in that way.”

To Adams the English writer P.G. Wodehouse is just as important to English literature as Milton, Shakespeare and Keats.

PG. Wodehouse

“Shakespeare? Milton? Keats? How can I possibly mention the author of Pearls, Girls and Monty Bodkin and Pigs Have Wings in the same breath as these men? He’s just not serious! He doesn’t need to be serious.”

And Bach.

“The familiarity of the Brandenburgs should not blind us to their magnitude. I’m convinced that Bach is the greatest genius who ever walked among us, and the Brandenburgs are what he wrote when he was happy.”

Technology becomes almost an obsession for Adams. He can be real nerdy, is a gadget freak and a life long Apple adept. He writes about the limitations of the technology at that time and the improvements he wants to see. Some are quite predictive. He fulminates about how the different technologies on his Mac do not integrate, and how he wants to see improvements.

“What I want to be able to do is this:

– Turn on the machine.
– Work.
– Have a bit of fun provided I’ve done enough of 2, which is rarely, but that’s another issue.”

(That latter refers to his reputation of being unable to deliver in time and missing deadlines. “I love declines, I love the whooshing noise they make as they go by.” But that’s another issue.)

“What I’m talking about is the death of the “application.” I don’t mean just when they “unexpectedly” quit, I mean it’s time we simply got rid of them.”

He wants his problem of having different devices and still share everything he does on any device. Today IT nerds will start yelling CLOUD immediately before he could have finished his sentence.

“All I want to do is print from my portable. (Poor baby.) That isn’t all I want, in fact. I want to be able regularly to transfer my address book and diary stacks backward and forward between my portable and my IIx. And all my current half-finished chapters. And anything else I’m tinkering with, which is the reason why my half-finished chapters are half-finished. In other words, I want my portable to appear on the desktop of my IIx.”

He wants to get rid of “technology”. His definition of technology is interesting.

“We are stuck with technology when what we really want is just stuff that works. How do you recognize something that is still technology? A good clue is if it comes with a manual.”

The world changes rapidly and Adams describes the need for a vision on what the world will look like in the no so far future, as well as our inability to do so. His reasoning precedes the scientific works of Daniel GilbertStumbling On Happiness – who writes about his scientific findings in similar terms.

“Trying to predict the future is a mug’s game. But increasingly it’s a game we all have to play because the world is changing so fast and we need to have some sort of idea of what the future’s actually going to be like because we are going to have to live there, probably next week.”

“We were wrong about trains, we were wrong about planes, we were wrong about radio, we were wrong about phones, we were wrong about . . . well, for a voluminous list of the things we have been wrong about”

Relating the inability to predict the future to the application of technology, we all have heard some of the horrible technology predictions, for example Worst Tech Predictions).

The one Douglas Adams mentions I had not heard yet, but is equally amusing. Followed by a fabulous prediction from himself.

“One such that I spotted recently was a statement made in February by a Mr. Wayne Leuck, vice-president of engineering at USWest, the American phone company. Arguing against the deployment of high-speed wireless data connections, he said, “Granted, you could use it in your car going sixty miles an hour, but I don’t think too many people are going to be doing that.” Just watch. That’s a statement that will come back to haunt him. Satellite navigation. Wireless Internet. As soon as we start mapping physical location back into shared information space, we will trigger yet another explosive growth in Internet applications. At least—that’s what I predict. I could, of course, be wildly wrong.”

Adams defines himself as an radical Atheist. And he is very serious about this.

“So, I do not believe-that-there-is-no-god. I am, however, convinced that there is no god, which is a totally different stance and takes me on to my second reason.”

He has given this a lot of thought and the chapter on the topic in this book is a logical flow of reasoning that brings Adams to the conclusion that there is no real god, but there is an artificial god.
Adams argues (deduces) that god is what defines life.

“So, in the end, in the absence of an intentional creator, you cannot say what life is, because it simply depends on what set of definitions you include in your overall definition. Without a god, life is only a matter of opinion.”

He links his view on god to his insight in technology and computers. He argues that the complexity of life is not something specific to life itself, but that this can be seen in other forms as well, such as computer programs.

“The computer forms a third age of perspective, because suddenly it enables us to see how life works. Now, that is an extraordinarily important point because it becomes self-evident that life, that all forms of complexity, do not flow downward, they flow upward, and there’s a whole grammar that anybody who is used to using computers is now familiar with, which means that evolution is no longer a particular thing, because anybody who’s ever looked at the way a computer program works, knows that very, very simple iterative pieces of code, each line of which is tremendously straightforward, give rise to enormously complex phenomena in a computer—and by enormously complex phenomena”

Adams of course does not give references to his information source, but Mandelbrot and others have shown (read James Gleick’s Chaos: Making a New Science) that from very simple mathematics, extremely complex phenomena emerge.

It is also unclear of Adams may have been aware of the work of Stephen Wolfram, who published his bible A New Kind of Science on this topic, in 2002, one year after Adams’ death. (Just noticed that, interestingly, both Gleick and Wolfram books refer to the field they  describe in their books as a new science. I am not sure either of them is right in that respect.)

And since there is no longer a God needed to explain the origin of the complexity of life, God in Adams’ definition becomes the explanation of the complexity itself.

“I suspect that as we move farther and farther into the field of digital or artificial life, we will find more and more unexpected properties begin
to emerge out of what we see happening and that this is a precise parallel to the entities we create around ourselves to inform and shape our lives and enable us to work and live together. Therefore, I would argue that though there isn’t an actual God, there is an artificial God, and we should probably bear that in mind.”

Adams realizes his vulnerable position as an atheist and as a person discussing the existence or even necessity of god. His friend Richard Dawkins was heavily criticized at the time about his opinions on religion (this was years before The God Delusion). And he finds this incomprehensible.

“So we are used to not challenging religious ideas, but it’s very interesting how much of a furor Richard creates when he does it! Everybody gets absolutely frantic about it because you’re not allowed to say these things. Yet when you look at it rationally, there is no reason why those ideas shouldn’t be as open to debate as any other, except that we have agreed somehow between us that they shouldn’t be.”

Hence he ends his reasoning on this typic in typical Douglas Adams style.

“That is my debating point, and you are now free to start hurling the chairs around!”

Schlimazel hairdo in een bubble in Detroit

(Onder dit verhaal, stel je voor het continue commentaar bij de American Football wedstrijd die op de tv’s aan de muur wordt weergegeven).

Links van me zitten twee mannen van een stuk in de veertig, collega’s waarschijnlijk, cola te drinken achter hun laptop; de ene een dikke Sony, de ander een slanke MacBook Air. Van die jongens met koltruien. Eén zit de hele tijd met zijn been te trillen terwijl ze een tekst editen.

Achter ze zit een  een ouder stel dat hele foute blousejes draagt. Zij heeft er een met fijne roze bloemetjes, hij draagt een shirt met een soort golfpatroon in fletse kleuren blauw, paars en grijs. Beide hebben ze witte sportschoenen aan hun voeten. Ze drinken witte wijn, wat ik voor dit tentje nogal afwijkend vind. Ik kan me slechts een oude goedkope sauvignon blanc bij voorstellen. De man heeft flaporen en een bijbehorend schlemielig kapsel, de vrouw is waarschijnlijk bij dezelfde kapper geweest.

Het meisje dat me bediend heeft een knap gezichten kort geknipt, zwart geverfd haar. Ze is maar een beetje dik. Ze heeft zwarte ogen en ik blijf nog even langer zitten om daar nog een paar keer in te kunnen kijken. Aan de overkant onder de televisies (American Football en een soort bingo) zitten zich te vervelen: een jong paartje (beide staren naar hun smartphone), een gezinnetje (hoewel die het kennelijk wel gezellig hebben met zijn drieën, een echtpaar van midden veertig (die elkaar commentaar delen over de afgrijselijke televisieprogramma’s die boven mijn hoofd worden vertoond). Iedereen zit langs de wand, valt me nu op; geen mens bezet de tafeltje in het midden van deze ruimte.

Onduidelijk wat de foto’s van oude auto’s aan de muur moeten vertellen. Ik kan alleen maar vermoeden dat bedoeling is een jaren zestig gevoel op te roepen, aangezien de mica tafeltjes en de bankjes langs de muur hetzelfde lijken te beogen.

De collega’s hoor ik net, zijn Engels. Dat verklaart de kleding. My goodness, de oudere vrouw van dat echtpaar, met haar beige broek met grijze sokken, zet haar rugzak op haar schoot er gaat er liefhebbend met haar armen omheen geslagen zitten wiegen.

Er is een Chinees stel 2 plaatsjes verder voor me gaan zitten. De man is erg nerveus. Staat op, gaat weer zitten, praat te hard, trekt zijn bruine leren jas aan, gaat staan, neemt een hap, gaat weer zitten, gaat weer staan, neemt een hap van het bord van zijn partner, stelt een vraag, gaat nog een paar keer zitten en weer staan, terwijl hij happen blijft nemen van de borden op tafel. Ondertussen zit zijn collega rustig op zijn netbook door te werken.

Tot zover Detroit Online. Ik drink mijn Sam Adams op en ga een plasje doen.

De televisie is overal.

Terwijl ik wacht tot we aan boord gaan, kijk ik naar Ahmadinedjad op het nieuwsbulletin. Hij krijgt enorm veel tijd om zijn standpunten uit te leggen. Dit is Amerikaanse televisie.

Iedereen zit in een luchtbel vandaag. Of ik.

Progress in Europe – Labyrint Europa

Got up early to get a head start on my collegues.

But Nooteboom’s Labyrint Europa came in between.

The story about the recession in the 1970s should be a awareness starter for all swayed-by-the-issues-of-the-day politicians. Especially an interesting analysis of Enoch Powell’s affairs. Very relevant today, this more intelligent and eloquent British predecessor of our Geert Wilders.

Interestingly, Nooteboom in the book contemplates when he would be able to travel through Europe without having to change money and with a European passport in his pocket. In a wheel chair, he assumes.

He wrote this in 1977, and we can say things have been achieved in Europe  after all.