Mestfraudezaakfoto
Ik kwam deze weer eens tegen. Mijn 3 seconden beroemdheid op de NRC website.
(De foto is genomen bij Egmond aan den Hoef, niet in Noord-Brabant)
Ik kwam deze weer eens tegen. Mijn 3 seconden beroemdheid op de NRC website.
(De foto is genomen bij Egmond aan den Hoef, niet in Noord-Brabant)
An incredible set of presents in the analog mail today.
From left to right:
Punk zines Terror Management and How To Photograph Punk Musicians In 5 Easy STEPS from Terror Management. See also his blog.
The Many Lives of Erik Kessels, by Aperture and see the site of Erik Kessels—super inspiring guy.
Two pictures for the zine MADNES by Bouwe Brouwer in a suspect plastic bag.
The photo book Black Diamonds by Rich-Joseph Facun. Ik did not know him yet, my friend Raymond recommended it to me by my friend. I will report about it later.
The first morning light of 2024.
Sure, it sounds like well-worn wisdom. However, there’s an undeniable truth here. A carefully crafted print holds a presence that no amount of Instagram scrolling can replicate. A very different thing from a minuscule picture on Instagram.
I recently tested this in my studio. I let my Epson P600 work its magic on some Epson Exhibition-grade paper. As the prints emerged, each one came to life anew, showcasing subtle textures and gradients. The depths were something your phone screen could never quite capture. It’s like the difference between listening to vinyl and streaming music; there’s just something tangibly real about it.
Quadrant for De Kwakel, Uithoorn, and Heerhugowaard added to my megalomaniac Noord-Holland grid project.
It was cool again.
A few photos from a quick edit for a friend.
Some pictures from my stay in Salt Lake City.
This is so cool. I look at the massive photo book (is it a photo book you may ask; more like a colossal collage book) Coming and Going by Jim Goldberg is so large that it is difficult to handle. The book is heavy, and the pages are enormous. Small photos are blown up over a spread; there are densely packed pages of images and text and blank pages with a small photo in the middle of the page. But it is brilliant. It inspires, saddens, and shocks; it is beautiful, sweet, and heartbreaking and follows each other in rapid succession.
Consume in small bites.
New work. Digital prints, 40x40cm, limited edition. I think I’ve been done with digital work for a while now. There are a few more to go, but analog work is also coming.