I read this interesting article in Wired about Sayaka Murata, author of, amongst ithers, ‘Convenience Store Woman’ (Buurtsupermens in Dutch) and ‘Earthlings’. Fascinating writer. Brilliant.

Murata critically examines societal norms, around work, conformity, and marginalization in Japanese society. ‘Convenience Store Woman’ and ‘Earthlings’ explore characters who struggle to fit into conventional social expectations, offering dark, satirical perspectives on identity and alienation.

Ik vond een tijdje geleden al Figuranten van Arnon Grunberg, op Terschelling bij de leuke tweedehands boekwinkel De Boekenboer op Terschelling.

De eigenaresse is zelf een schrijfster, lees ik in het krantje uit 2022 dat is uitgegeven ter ere van het 25 jarig bestaan van De Boekenboer. Ze is de dochter van de oorspronkelijke oprichter van de tweedehands boekwinkel en ze schrijft lokale detectives.

Ik lees dat ze Kluun een slechte schrijver vindt. Goed zo.

Leuk om Figuranten een keer te herlezen, dacht ik, maar het bleek dat ik het nog nooit had gelezen (of ik moet wel lijden aan zeer zwaar geheugenverlies).

Figuranten is een krankzinnig leuk boek, bijna net zo goed als De Joodse Messias. Drie adolescenten, Broccoli, Ewald en Elvira, proberen hun grootste plannen te realiseren in het Amsterdam van de jaren negentig. Maar er komt natuurlijk geen drol van terecht. Ewald kiest voor nachtmerrie van elke adolescent: hij wordt een geldwolf.

Ik ga het verhaal hier niet natuurlijk niet hervertellen. Het eindigt een beetje in mineur. Zo voel ik het in ieder geval. Zo’n boek waarbij het aan het eind toch allemaal mis gaat. Maar daar is dan weer helemaal niks mis mee.

Earthlings by Sayaka Murata is a wonderfully weird book. Sayaka Murata wrote Convenience Store Woman, which I wrote about a few days ago. Earthlings is another book about people who can not or do not want to fit in.

Natsuki, about ten years old, has declared herself a fairy. Her cuddly Pyuut is from the magic police from another planet and has given Natsuki hate magic. Cousin Yuu is her lover. He is a space creature abandoned by a spaceship in the mountains. They fall in love and “marry” as kids can.

At home, Natsuki is insecure; she is mentally and somewhat physically abused. She wants to belong to “the Factory,” where people produce new people. Therefore, she blames herself for her problems and takes tutoring, but then is mistreated again by the teacher. To protect herself, she has built her magic world. Natsuki grows up in a protected cocoon, controlled by her family.

To escape the pressures of the Factory, she marries a man who, like her, wants to escape society. They have a marriage of convenience to deceive the outside world. They live in this construction for some time, but in the end, their secret is discovered by the people of the Factory – her mother and sister, and they are forced to choose a normal life.

The story degenerates into a gruesome hallucination of Natsuki, her husband, and her cousin Yuu. Earthlings is a grim and socially critical book, written at once humorously and strangely lighthearted.

I’m currently into Japanese novels (Convenience Store Woman, The Key, Days At The Moorisaki Bookshop and others). Here’s another one: Before Your Memory Fades by Toshikazu Kawaguchi.

In a small coffee house in Hakodate, guests can choose to sit at a specific table, usually occupied by a ghost – a man in a suit reading the newspaper all day – and travel through time.

One lady travels back to visit her mother, who left her behind at a young age. A comedian who won a significant comedy award goes back in time to tell his deceased wife the great news about his prize.
These are heartbreaking but, at the same time, lighthearted stories. This is one of those great books you don’t come across often.

After immensely enjoying The Storied Life of A. J. Fikry, I picked up a copy of another book of Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow.

Two nerds, Sam and Sadie, meet each other during their free childhood when Sam is in the hospital for a long time with a broken foot. Sadie visits him regularly. After he is discharged, they lose sight of each other again.

When they study, they meet again. Both are creative and fond of games. They decide to build a game. Marx, a friend, joins them in the role of producer.

The game becomes a huge success. They only needed the engine of an obscure friend of Sadie’s, Dov. He turns out to be an oppressive character, leading Sam into a deep depression, which strains the relationship between Sadie and Sam. The game’s sequel also becomes a success. They have since set up a company dedicated to building games. They move from Boston to LA. The relationship between Sam and Sadie remains platonic, going up and down in waves.

The company builds a game with a virtual world in which Sam and Sadie can express their free morals. For example, they create a world where same-sex marriage is not only accepted but celebrated. Sam plays the Mayor of this world. This controversial world leads to furious reactions in the real world from conservative groups who see it as an attack on traditional values. This gets out of hand, and one day, the company is raided, and Marx is shot.

The story devolves into a surreal, dreamlike narrative of how Marx lies in his hospital bed, trying to survive. Beautiful style reminiscent of Johnny Got His Gun, the intensely disturbing story about a soldier who wakes up in the hospital and finds that he has lost his sight and his arms and legs. The story about Marx is less disconcerting but beautifully written. The whole experience brings Sam and Sadie back together.

Not as weird as Fikry, yet equally enjoyable.